Wratislavia Cantans is a devour of music, in which the primary part is played by the human voice. Regardless of the place, time and culture in which works of music were composed, the voice – as the most superb among melodic instruments: intriguing and motivating, has constantly involved an uncommon position in craftsmen's innovativeness. That is the reason the International Festival Wratislavia Cantans has drawn the consideration of music darlings in and outside Poland, and consistently Wrocław in the primary long stretches of September turns into an European capital of culture – the European capital of vocal craftsmanship. The celebration is emphatically implanted ever, anyway it continues rousing arrangers to compose new works, authorized yearly by the Festival.
The Festival displays the human voice in ious structures and classes, and in different execution cosmetics – from vocal presentations, through partner exhibitions, down to choral and oratorio music including many artists. The celebration is planned to display works in every single melodic style, made in different music focuses in all ages of history. Wratislavia Cantans is an equivalent word of the most noteworthy quality in regard of execution and administration. Shows highlighting world-renowned stars of traditional music consistently draw in a large number of music darlings to the delightful chronicled insides of Wrocław and Lower Silesia. So far Wratislavia Cantans has welcomed great soloists and conductors, and among them: Philippe Herreweghe, Andreas Scholl, Sir John Eliot Gardiner, Paul McCreesh, Ton Koopman, Gustav Leonhardt, and ious outfits, including: Collegium Vocale Gent, Akademie für Alte Musik Berlin, Gabrieli Consort and Players, Il Giardino Armonico, The English Baroque Soloists.